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Galip finally agrees to meet both of them at a public location, a store called Aladdin’s that figures in much of the narrative. She sleeps during the day, and reads detective novels in the evenings and at night, hardly ever leaving the house.

The question always lingers: The novel ends with the postmodern twist of the author revealing his presence in the narrative.

It seems that she prefers to escape from reality to the world of her detective novels, although Galip doesn’t seem to think much of these. The plot shows how he gradually changes his identity to become Celal, living in his flat, wearing his clothes and even writing his columns.

As Galip wanders the streets of Istanbul, we get to know many of the city’s different neighborhoods, all neeo their distinct ambiance. January Learn how and when to remove this template message.

The Secret Face Please help improve this article by adding citations to reliable sources. We know however, that Celal longs to become someone else as well this is clearly visible from some of his columns – see for example the one titled ‘I Must Be Myself’. This strange lifestyle can imply that she is also not satisfied with who she is, or how her life turned out, but perhaps she does not consciously think about it, or admit it to herself.


The novel in many cases implies that embracing the former will destroy not just historical and cultural heritage, but also the Turkish people themselves see part where Galip takes the tour of the underground mannequin museum. The questions of who we are and whether its possible to change who oibro are return on at least two other levels: From Wikipedia, the free encyclopedia.

The story iil more concerned with exploring the nature of story-telling as a means of constructing identity than with a straightforward plot.

As such, it is full of stories within the main story, llibro to both Turkey’s Ottoman past and contemporary Istanbul. This is a city were East and West, antiquity and the modern, Islam and the secular, the rich and the poor, the pashas and the peasants are all present.

He wanders around the city looking for his clues to her whereabouts. The questions of Turkish national identity are referenced several times, in relation mainly to the perceived westernization of Turkish society. This article is about an Orhan Pamuk novel. Unsourced material may be challenged and removed.

Orhan Pamuk

In an eerie twist, it turns out that the husband has been pibro Galip around Istanbul in an attempt to find Celal through him, accounting for Galip’s frequent apprehension that he is being watched. September Learn how and when to remove this template message. This section possibly contains original research.

He dislikes his life as a lawyer, and has envied the successful Celal for years. This article needs additional citations for verification. It turns out librp Celal and the woman had an affair, and the fan who is calling Galip is the woman’s jealous husband. Statements consisting only of original research should be removed.

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Galip starts getting mysterious phone calls from one kl Celal’s obsessed fans, who displays an astonishing familiarity with the columnist’s writings. His efforts to westernize Turkey have led to mixed results. The main theme of the novel is identity, and it returns on many levels. Pages using citations with accessdate and no URL Articles needing additional references from September All articles needing additional references Pages to import images to Wikidata Articles that may contain original research from January All articles that may contain original research.


Should the Turkish people embrace Western European culture, or should they remain true to their heritage? The story of Galip’s search is interspersed with reprints of Celal’s columns, which are lengthy, highly literate meditations on the city and its history.

By using this site, you agree to the Terms of Use and Privacy Policy. Istanbul ‘s identity as a city, and the identity of the Turkish people.

The Black Book (Pamuk novel) – Wikipedia

Galip thinks that by living as Celal he can figure out how Celal thinks and locate both him and his wife, so he takes up residence in Celal’s apartment, wearing his clothes and eventually writing his column. Works by Orhan Pamuk. Galip for example, is clearly not happy with who he is.

Soon after, Celal is shot to death in the street. He suspects that his wife has taken up with her half-brother, a columnist for Milliyet named Celal, and it happens that he is also missing. Essays and a Story Istanbul: Init was translated into English again by Maureen Freely.

For other uses of the term, see Black book disambiguation. Retrieved from ” https: The identity of the killer is never discovered for certain.